Profound Desires Of The Gods (1968) Producer

1. Profound Desires of the Gods (1968) - Letterboxd

Director Director. Shōhei Imamura. Producers Producers. Masanori Yamanoi ... My crush, asking the wrong question: What kind of movie? Me, appreciating Shōhei ...
Tokyo engineer Kariya arrives on a primitive tropical island, where he interacts with the Futori clan, to drill a well to power a sugar mill.

... , Nekichi (Rentarô Mikuni). Director: Shôhei Imamura. Producer: Masanori Yamanoi. Screenwriter: Shôhei Imamura , Keiji Hasebe. Production Co: Miramax. Rating ...
This expansive drama follows Kariya (Kazuo Kitamura), an engineer from Tokyo, as he deals with the natives of a remote island. The inbred and highly eccentric Futori family is shunned by most of the other islanders, but Kariya must work with the strange clan in order to construct a well that will supply water to the sugar mill. As Kariya goes about his job, he encounters various Futoris, including the mystically inclined Uma (Yasuko Matsui) and her disgraced brother, Nekichi (Rentarô Mikuni).

Director: Shôhei Imamura. Production: Imamura Production. Running Time: 175'. Language: Japanese. Country: Japan. Year: 1968. Main Cast: Rentarô Mikuni, ...
Director Shôhei Imamura Main Cast Rentarô Mikuni, Chôichirô Kawarasaki, Hideko Okiyama / Restoration Nikkatsu / Japan / 1968 / 175’See AlsoSeatgeek Seat View Young Snapchat Leaks 16 C# Interview Questions to Practice Brad Sherwood Look Alikes

12 okt 2024 · Production Credits · Director: Shohei Imamura · Script: Keiji Hasebe, Shohei Imamura · Cinematographer: Masao Tochizawa · Editor: Matsuo Tanji · Cast ...
Production still from Profound Desires of the Gods 1968 / Director: Shohei Imamura / Image courtesy: ©1968 Nikkatsu / View full image

A Tokyo engineer who arrives on a remote island to relaunch a sugar refinery falls into a potful of atavisms, superstitions and taboos.
A Tokyo engineer who arrives on a remote island to relaunch a sugar refinery falls into a potful of atavisms, superstitions and taboos. In his exuberant manner, Imamura revisits the well-worn theme of the shock between tradition and modernity and, in a desperate anarchistic gesture, seems to tar archaism and forced industrialisation with the same brush. Under this mad psychedelic sun, the question is nonetheless a burning one: what has Japan made of itself? Imamura paid dearly for his audacity; the film was commercial flop, he was thrown out of Nikkatsu. The magnificent title measures up to this saga, and the restored film has done justice to its sumptuous palette of colours. AR

4 jul 2016 · The film was a major throw down by Shohei Imamura, a director who had achieved enough commercial success with his earlier explorations of ...See AlsoLegit Ticket Sites - Seatgeek vs Stubhub [Fees, Customer Service, Security]
David sneaks away from the pit he’s been digging to scratch out a few thoughts on Shohei Imamura’s sadly neglected masterpiece.

Director Shohei Imamura boldly depicts primitive customs and religious beliefs that meet the incarnation of capitalism and civilized society.
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24 jun 2023 · Yet while director/co-writer Shohei Imamura's down-and-dirty aesthetic (typically designated 'messy') could hardly be accused of similar ...
Imamura's unruly anthropological oddity PROFOUND DESIRES OF THE GODS offers primitive longings, exploitative politics & divine mysteries.